Roger Moore as James Bond

Whereas Sean Connery was the suave and sophisticated James Bond, Roger Moore added a completely different style of humour and while embodying many of the aspects of Sean Connery’s Bond, he created a unique version of the character. Roger Moore is a close second behind Connery in terms of my favourite Bond, but he does boast two of my favourite Bond films of all time. Sadly, the Bond films in this era started to get a little bit too silly, but nonetheless, the Roger Moore films are, mostly, classics.

His first film, Live and Let Die, was immediately one of my favourite films. I absolutely love the plot. Bond is trying to stop a large batch of heroin being distributed, and goes to San Monique to try and figure out what’s going on. Before long, we are treated to gangsters, voodoo and crocodiles. There are some excellent scenes in Live and Let Die, most notably, the boat chase, which is thrilling and magnificent to watch. Jane Seymour stars alongside Roger Moore as Solitaire, the Bond girl for this movie. She is the source of the voodoo and reads cars for Mr. Big, the heroin kingpin. She is one of the most underrated Bond girls for me, and despite being quite a weak character, she is absolutely stunning. When Mr. Big inevitably catches Bond for the first time, he is left in the middle of an island with crocodiles closing in on him. The henchman, Tee Hee, is immensely sinister, and his detachable arm is a source of tension in nearly every scene he is in. The climax of the film sees Bond confront and apparently kill the Voodoo chief and save the day in true Bond fashion (things explode and such). I don’t really know why I like Live and Let Die so much. I think it manages to get the balance between plot, action and comedy absolutely spot on. It also boasts an incredible theme song, some excellent filming and some unforgettable scenes.

Live and Let Die was a hard act to follow, but The Man with the Golden Gun gave it a good shot (if you’ll pardon the pun). For me, this is where the Bond films start to get a bit too light hearted. On its release it was widely criticised for being too comedic, but I still think it is a good film. Bond has been earmarked by a famous hitman, Scaramanga, and tries to hunt him down and kill him before he is killed himself. Christopher Lee appears opposite Roger Moore in this film, and is dazzling as Scaramanga. I think if it wasn't for Lee then The Man with the Golden Gun would be a terrible film. The problem with it is not that the plot is unfeasible but that it seems assured of its success. The henchman is a dwarf who is about as sinister as a banana. We also see Bond take on a martial arts school, and the re-appearance of Sheriff J.W. Pepper, who was in Live and Let Die. I think his character is meant to be funny, but he just isn't  Nonetheless, Christopher Lee is the perfect opposition to have and instead of trying to kill Bond when he arrives at his island, he makes him comfortable and challenges him to a relatively fair fight. The most unforgettable scene in this movie is the corkscrew car flip. I think I read somewhere that it was done in one take, which is incredible. The only problem is that someone has added a stupid ‘whistle’ sound effect to the sequence, and this is just a drop in the ocean of how cheesy The Man with the Golden Gun is.

Thankfully, The Spy Who Loved Me brings the James Bond stock back up a bit. I think the theme song to this is my favourite of the classic Bond songs. Bond is up against a megalomaniac who wants to destroy the world and begin again underwater. It sees Bond collaborating with a Russian agent to stop Stromberg from completing his slightly implausible plan. This film also sees the introduction of one of the most iconic Bond villains, Jaws. With his incredibly strong metal teeth and his seeming immortality, he is truly terrifying. The classic Bond moment that this film is famous for is probably the cub/submarine scene. This car runs the Aston Martin DB5 very close for the title of ‘Coolest Car’. The Spy Who Loved Me is a refreshing hark back to the more serious Sean Connery films, with a genuine plot, a touch of comedy, and some twists and turns along the way to Bond’s inevitable victory. It seemed to restore many people’s confidence in James Bond after the unmitigated disaster that was The Man with the Golden Gun at the time of release, and yet many people seem to forget about it. It is one of my favourites and for me, it was the last Bond film before Goldeneye that was really enjoyable, rather than silly, annoying or implausible.

Moonraker was a mistake. It is often voted as one of the worst Bond films ever, and it is easy to see why. It sees Bond initially investigating the theft of a space shuttle, and then investigating Hugo Drax who manufactured the shuttle, and then, naturally, in space. In fairness, where the actual film is terrible, the visual effects are very impressive for the time, but this is the only real positive that I can draw from it. Jaws makes another appearance and, once again is sinister and terrifying, but the filmmakers completely deflate this at the end, when he finds a girlfriend (who is actually tiny) and falls hopelessly in love. If there is one thing that a sinister villain should not have it is a love life. You don’t ever see Blofeld getting gooey with an ‘Angel of Death’ do you? Apparently, the filmmakers received letters from children asking why Jaws couldn't be a goodie, and so they decided to listen to the opinions of children. Even the name of the Bond girl screams of how ridiculous this film is. Now granted Pussy Galore is a blatant innuendo, but Holly Goodhead? At least Pussy Galore is imaginative. The less said about Moonraker the better.

Sadly though, it doesn't pick up after this. The next three films are all as silly and disappointing as before. The only saving grace across these films is Roger Moore, who still has his roguish James Bond charm thankfully. In For Your Eyes Only, Bond helps out a woman who is investigating the death of her parents. It is incredibly clichéd, and incredibly forgettable for me. There’s a parrot that talks to Margaret Thatcher though, and this is one of the better moments of the film. Sadly you have to sit through nearly two hours of film before. For Your Eyes Only is quite enjoyable, but in the context of the Bond films that came before it, it is a couple of metres down the slippery slope to comedy. Octopussy cements this further, and sees Bond trying to investigate the death of 009, stop a bomb and do something with a Faberge egg. The villain, Kamal Kahn, is quite sinister, but never actually threatening. However, the serrated spinning wheel thingy that is used to kill people is quite scary. The problem is that in just don’t believe in the story with Octopussy. At one point, Bond bursts into a circus tent, dressed as a clown, shouting about a bomb. It is too silly and has too much of a focus on the comedy aspect rather than creating what could have been a classic Bond film.

Finally in Roger Moore’s collection is A View to a Kill which sees Bond trying to stop Max Zorin (played masterfully by the incredible Christopher Walken) from blowing up Silicon Valley. In my eyes, this shouldn't have been made by Roger Moore. He looks noticeably older in this film, and generally slower too. Grace Jones makes an appearance as the henchman (or henchwoman) in this film and is absolutely terrifying. However, this isn't a credit to her acting skills, more she is cast in a role that just scares me. A View to a Kill at times seems to be dragging Bond up a notch from where the previous two films left it, but then with a poor character name (such as the French detective Achille Aubergine or the English gentleman James St. John Smythe), the revelation that Zorin is the result of Nazi medical experimentation or a chase through San Francisco in a fire engine it drops it right back down. Once again, Roger Moore shines through as a charming and witty James Bond, and Christopher Walken creates a classic Bond villain, but the film is another one that should be dropped on the scrapheap.

It is strange that, despite having roundly criticised the Bond films of Roger Moore, he is my second favourite. There is no doubt in my mind that Sean Connery is the best, and Daniel Craig will be second best soon enough (if they are all as good as Casino Royale and Skyfall), but Roger Moore makes an excellent Bond too. This may be more to do with the failings of the other actors though, which I will get on to in the next Bond related post. If there was one film I’d advise you to watch from Roger Moore’s time as James Bond it would be Live and Let Die. I think that is the most enjoyable and the least laughable of all his Bond films.

The Hobbit: An Unexpected Journey

I was quite excited to see this film. I loved the Lord of the Rings films, and always thought that they should make a film of the Hobbit too. On a recent trip to Alnwick I decided that re-familiarising myself with the book would be a good idea, and I remembered how much I loved that too. So I was expecting quite a lot from the movie.

I wasn’t disappointed. The first instalment of the Hobbit series was entertaining, exciting, fast-paced and enjoyable. I was a bit sceptical at first about splitting it into three parts, but having seen the first part, I think it could work. It was a faithful translation of the book, with some bits added from Tolkien’s other works. The first part of the film tells of how Bilbo got involved with the Dwarf plans, and the first part of their journey, up to the point where the eagles save them from the goblin attacks.

There are several appearances from other Lord of the Rings characters. Ian Holm makes a welcome appearance as the old Bilbo, with Elijah Wood popping up as Frodo. Obviously, Gandalf and Elrond are involved in the story and so must re-appear, but both Galadriel and Saruman show in the movie. I really liked the way that the beginning of The Fellowship of the Ring ties in with the storytelling nature of The Hobbit, and was very pleased to see Frodo appear again. However, when I first saw Saruman and Galadriel I was convinced that they were there to boost the cast a bit. However, after watching the scenes involving Gandalf, Elrond, Galadriel, and Saruman I thought they had the potential to be really useful in providing a bit more background to the Lord of the Rings films.

Martin Freeman plays Bilbo Baggins in this film, and I loved him in this role. I thought he was brilliant, and perfectly managed to portray Bilbo’s lack of enthusiasm for the adventure. I especially liked the scene where the dwarves take over his house. His bustling captured Bilbo’s homeliness delightfully in my opinion. I am very much looking forward to seeing more of Martin Freeman as the films progress. I think it’s quite clear that Peter Jackson has an eye for casting, as Freeman is excellent in this role, and in an interview with NME magazine (http://www.nme.com/filmandtv/news/peter-jackson-martin-freeman-was-the-only-person/292825) Peter Jackson says that “Martin was the only person that we wanted for that role...before we met Martin”. I think he made a good choice.

In my blogs on Lord of the Rings (The Return of the King I think), I talk about how Andy Serkis surpassed himself in playing Gollum. Just when I thought he couldn’t get any better in the role The Hobbit comes out and just blows me away. Here we see a Gollum who is not driven to madness at having lost the Ring, but is happy and content knowing he is the only one who knows about it. Andy Serkis is supreme at conveying a more sociable Gollum, and once again, excels at performing the conflicts between his two personalities.

The way that the dwarves come across in The Hobbit is exactly how I pictured them as well. Richard Armitage is majestic as Thorin Oakenshield, and I predict big things for him in the future. He is able to convey passion, ferocity, drive and emotion with seeming ease. It was also good to see the dwarves Gloin and Balin, who are mentioned in the Lord of the Rings films. Gloin is the father of Gimli, and I liked the strong resemblance that they bear to each other. Balin is the dwarf who is buried in Moria, and it is easy to see from this film (and the book) why he is given such a special burial. His character is wonderfully played by Ken Stott, and I look forward to seeing more of him in the next films. A tip of the hat must also go to James Nesbitt, who pops up as Bofur.

Now before The Hobbit was released there was a lot of talk about the way Peter Jackson had filmed it. It used a higher frame rate than other films have used, and this was meant to affect the way it was perceived. I’m not sure whether it was because I saw the film in 3D but there were aspects of it that seemed really graphically poor. Fire, for example, always seemed really contrived, and there were parts of the motion sequences that seemed unnaturally sped up or like they were lifted from a PlayStation game (thanks to Tom Newbold for that little analogy).

Overall, The Hobbit is a good film. It has nothing on the Lord of the Rings movies, but it is still an enjoyable film. However, whereas the Lord of the Rings films can be seen by everyone, I’d say that The Hobbit should probably be watched by people who liked the original movies or books, because otherwise a lot of the intricacies of the plot might pass you by.

Lord of the Rings: Part 3

With the magnificent scale of the first two films there was a lot of excitement for the third film, and it delivered on to an unprecedented degree. It is the only one of the three films to win the Academy Award for Best Picture in its year, and it’s not hard to see why. The stunning conclusion to the trilogy is a marvellous piece of film making, tying up every loose end perfectly, and completing one of the most successful film trilogies in cinema history.

The plot carries on from the end of The Two Towers with Gollum leading Frodo and Sam to Mordor, but planning to kill them on the way. Also, the armies of Mordor are gathering strength and are ready to battle for the future of Middle Earth. We are introduced to Gondor, and the future of Middle Earth is ultimately decided. The scale of this movie is phenomenal, and the audience is never allowed to drift into boredom because there is always something happening.

Now, I am critical of this film in two main ways. Firstly, Frodo’s confrontation with the giant spider, Shelob, doesn’t happen in the Return of the King, but is in the end of The Two Towers book. I guess without the inclusion of this scene in the film there wouldn’t be much to do with Frodo and Sam in this film. Cinematic license once again defeats my criticism, and it’s a welcome addition to the film. My second gripe is another issue with the adaptation from the book. With the other two film adaptations, the bits left out of the book are understandable by their relative insignificance, however, at the end of the Return of the King, the Hobbits return to the Shire and find it is in the grasp of Saruman. I would quite liked to have seen this in the film, but I guess it doesn’t bring anything to the film, and so could be easily excluded.

The Hobbits themselves are the crucial characters in the whole series. The idea that beings so small are capable of destroying the greatest evil in their world, where Men and Wizards cannot is brilliant. As the main character, Frodo is seen to change massively throughout the series. If you look at Frodo at the beginning of the series, and then just before the end of the quest it can be seen how different he is. The credit here has to go to Elijah Wood who manages to make this a gradual development, rather than a sudden snap. Frodo’s friendship with Sam is another central theme of the movies, and Sean Astin conveys Sam’s devotion to Frodo perfectly. The touch of comedy that is added by Merry and Pippin lightens the tone of the films, but they too play a pivotal role in the films, and I especially like the scene in The Return of the King when, just before the eruption of Mount Doom, they are screaming Frodo’s name on the battlefield, and then the emotion they show when the mountain erupts.

Now Gollum is a tricky one. His character must have been difficult to cast, and Andy Serkis is pure perfection. He is such a fantastic and under-rated actor. While Gollum is obviously a computer-generated, I believe that the motion was actually provided by Serkis, and his dedication to the role goes above and beyond any other actor in the films. Also, the voice of Gollum (also Serkis) is exactly how I imagine him speaking. Andy Serkis surpasses himself in the trilogy, managing to play the two different sides of Gollum magnificently, and in relatively quick succession too. For me, the finest thing about the Lord of the Rings is not the location scouting, or the story, or the scale of the films, it is Gollum. People notice the character, but in my opinion, not enough credit is given to the actor.

In The Return of the King we are introduced to the Kingdom of Gondor. While it’s not our first contact with Gondor, it is the first time we see Minas Tirith, the capital. We are introduced to Boromir in The Fellowship of the Ring, obviously, but in The Two Towers we see Faramir. Faramir does what his brother could not, and lets the Ring go, and while he’s not in The Return of the King much, due to his being injured for a lot of the film, the scene where his father thinks he is dead and tries to cremate the both of them sticks in my mind. Faramir is a strong character who steps out of the shadow of his brother’s legacy and shows incredible bravery to ride out in an attempt to defend his city. His father, Denethor, is thoroughly unlikeable. A combination of his weakness as a ruler, his lack of defence of Gondor, his denial of Aragorn’s ascent to the throne, or his attempts to burn Faramir add up to leave the audience slightly glad that he decides to burn himself to death. It also means that some resistance to Sauron can be mustered. Gondor is talked of as a great power in the Lord of the Rings, and we don’t really see this until the last half of the last film, but when it does come to pass, a spectacular battle commences and this strength is finally seen.

The whole Lord of the Rings series is unforgettable as a series, and is unrivalled in terms of the production of nearly every aspect of the films. The special effects are something special, and tourism to New Zealand can only have increased as a result of the spectacular scenery seen in the films. The actors are incredible, and the story is told so perfectly that it is difficult to say bad things about the films. All three films have to be must see films, and they are all modern classic masterpieces.

Lord of the Rings: Part 2

As the second installment in the Lord of the Rings series, The Two Towers has quite a high standard to live up to. It doesn't disappoint either, with some epic scenes, battles and characters.

Once again, the adaptation from the book is excellent, and the combination of the spectacular locations, fantastic action scenes and marvelous special effects result in an epic film which continues where The Fellowship of the Ring left off in more ways than one. The battle of Helm’s Deep is directed and produced much better than any of the fight scenes in The Fellowship of the Ring, and it’s one of the only cinematic battles that I’ve cared about and passionately wanted the bad guys to be defeated.

For me, this film rightfully focuses on Aragorn, Gimli and Legolas, and the relationship between the three is the foundation for this film. The competitive spirit between Gimli and Legolas, Gimli agreeing to be tossed by Aragorn, and the understanding between Legolas and Aragorn all reflect how three characters of different kinds come together to form one of the strongest friendships in the film. Gimli is a raw example of fierce loyalty to his friends, thirst to kill orcs and his character is actually quite witty. Aragorn is the kind of character that everyone loves, and this is easy to see why. If you haven’t read the books, I’d imagine you’d be rooting for him all the way through the series, and when he eventually comes to the throne of Gondor it shows how far he has come since stalking the Hobbits in Bree. Legolas adds a bit more quirk to the trio, and is more graceful (as an Elf) than the other two, but is, if anything, much more successful in battle than the other two. As an archer he kills more orcs than the others, continually outscoring Gimli. The three characters, and the three actors, really complete the films for me. Obviously there’s the central story of the quest to destroy the Ring, but the story around Aragorn, Legolas and Gimli is no less enjoyable.

When Gandalf is added into the mix there is a dry sense of humour added, as well as an increased sense of power and success to their mission. At the end of The Fellowship of the Ring, the three agree to find Merry and Pippin who have been captured by Uruk-Hai, and the story around them in this film revolves around them trying to trace them. This leads them to both Gandalf and the kingdom of Rohan. Throughout the series, Gandalf is a fantastic character who is loved by the Lord of the Rings fans. Ian McKellen portrays the wizard masterfully. I don’t really think there’s much more to say about him. Both the character and the actor are phenomenal.

The Two Towers introduces Rohan and its people. Rohan is under the grip of Saruman, and as a result, Theoden starts off The Two Towers as a weak old man. However, throughout the series he becomes a much more powerful leader and eventually leads his people in the Battle for Middle-Earth. I find myself warming more and more to Theoden throughout the films, but not as much as his niece. Eowyn is the classic example of a woman whose society demands that she cannot do something (go to war with the men), but who steps out against this and does it anyway, even encouraging a Hobbit to come with her. Her misplaced love for Aragorn is heart-wrenching for the audience, and when she eventually finds happiness with Faramir I was very pleased for her. I can’t work out what I think of her brother though. Eomer is sent away by Saruman’s puppet, Grima Wormtongue, at the beginning of The Two Towers but he doesn’t try very hard to fight this, riding away with some loyal soldiers. When Rohan is attacked he has to be summoned to come back and eventually win the Battle of Helm’s Deep. This doesn't seem very likely to me, and surely Eomer would have tried a bit harder to remove Wormtongue’s influence from Rohan. Nevertheless he is a strong influence in the final battle. Overall, Rohan is portrayed initially as a very weak kingdom, but grows in strength as the King gets more powerful.

Sauron is the overall villain in the series, and while being completely digital for the significant majority of the films, he is wonderful. The adaptation of Tolkien’s description of him is magnificently done, and the eye is quite imposing. Throughout the film’s Sauron’s tower gets more and more exposure, and the eye receives more and more work, with it moving around in the third movie. However, his second-in-command and his cohorts, the Witch-King of Angmar and the Ringwraiths, are terrifying. In The Fellowship of the Ring the black riders are very intimidating, and the Nazgul are very scary in the second and third installments  While Sauron is not one of the greatest cinematic villains, not in the same league as Hannibal Lecter, Darth Vader etc, the way he is portrayed in the Lord of the Rings definitely increases his standing as a villain.

The Two Towers is another fantastic film, and after the epic Fellowship of the Ring it might have struggled, but there is no such difficulty. It is a marvelous adaptation from the book and has the most awesome battle of the whole series in it. It sets up the third film beautifully and definitely belongs firmly in the halls of epic films.

Lord of the Rings: Part 1

Now, I could review the Lord of the Rings films as a series, but that would be a very long blog and it seems that the done thing these days is to split something that could easily be finished in one into three separate installments  such as a movie adaptation of a popular book, so as to make more money. So this is what I’m going to do.

Obviously the place to start is with the Fellowship of the Ring. In my opinion this is the best of the three films because it’s most true to the book. Also, it’s the one I enjoy watching the most. The Fellowship of the Ring tracks the discovery of the One Ring and the start of the journey to destroy it. Frodo takes it to the Elves at Rivendell and then carries it with eight companions to between Lorien and Fanghorn Forest before their party is split up.

As an adaptation from the book, Fellowship is fantastic. When I first saw it, the characters were pretty much true to how I’d imagined them and the story was lovely and easy to follow. The initial trip to Rivendell is full of haste and panic, and the stalking of the party by the Black Riders was very tense. Beyond Rivendell, the journey of the fellowship was perfectly told in my opinion. For me, the highlight of the whole film is the scenes in Moria. These are dark, gloomy and delivered with perfection by Peter Jackson. As the first film in a trilogy which had so much expectation behind it, The Fellowship of the Ring did not disappoint even slightly.

There are too many characters in the trilogy for me to deal with on a film-by-film basis, and I’d be repeating myself a bit too much, so I shall deal with them bit by bit, but considering the whole series, starting with the Elves. True to the books, the Elves are graceful, peaceful and elegant, and the beauty with which they are all blessed with makes them a joy to watch in the series. Elrond is wonderfully played by Hugo Weaving and comes across as stern, loving, fierce, gentle and majestic throughout the film. He is undoubtedly wise and is generally motivated by two desires: to see the Ring destroyed, and to protect his daughter. Moving on to Arwen, Liv Tyler manages the same array of emotions as Elrond, with grace, beauty and fierceness all present. Her choice to live as a mortal just so she can be with Aragorn is possible the greatest expression of her love and Liv Tyler portrays Arwen wonderfully. Similarly, Cate Blanchett is masterful as Galadriel and makes a fitting narrator to the story.

Boromir is another wonderful character as well. His death is one of the saddest bits of cinema in modern times. He epitomises the way that Men are portrayed in the films, as both strong and weak, and easily tempted by the power of the Ring. Sean Bean is a fitting actor to play Boromir, and throws himself in to the part, so much so that the audience goes from dislike to like very quickly at different points in the story.

When I read the books I wasn’t clear as to what the Uruk-Hai actually were, and how they differed from the Orcs etc. The Fellowship of the Ring made this so much clearer. The Uruks that are created are hideously sinister, and are fearsome villains throughout the series. I particularly enjoy seeing the Uruks being ‘born’. Saruman is a fitting commander as well, and comes across as deviously treacherous, obviously what was intended. As Sauron’s puppet he instructs much of the early rise of Sauron’s strength, and his head-to-head with Gandalf represents the clash of two magnificent powers. His eventual comeuppance is extremely satisfying to the audience.

The soundtrack to the three films is utter perfection as well. It’s one of the few soundtracks that is a lovely piece of music when it’s not accompanied by the film. In my opinion it’s a cinematic masterpiece and definitely makes the films what they are as much as the cast or the special effects.

The Fellowship of the Ring is a fitting opening to the Lord of the Rings trilogy. It sets the standard for the films to follow and remains wonderfully true to the book while producing a piece of cinematic gold.